London Poetry Festival

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4th London Poetry Festival 2008

8, 9,10 & 11 August: Friday to Monday

 

London Poetry Festival

contact at londonpoetryfestival dot com

4th London Poetry Festival 2008

8, 9 ,10 & 11 August: Friday to Monday

 

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Five Poets in Residence @ the Festival 2008 are: Anjan Saha, Claire Askew, Helen Long, Nnorom Azuonye and Sharon Harriott

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4th London Poetry Festival 2008: 8, 9,10 and 11 August: Friday to Monday

Waterloo St John's Church, Waterloo Road,  London SE1

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Nnorom Azuonye

Poet in Residence at 4th London Poetry Festival 2008

Nnorom Azuonye comes from Isuikwuato, Nigeria.

He studied Dramatic Arts at the University of Nigeria, Nsukka, graduating in 1990. Through university days until present, he has worked in various capacities in the arts as Theatre Director, Playwright, Actor, Scene Designer, Poet, Fictionist, Literary Editor, and Promoter of the arts.

His stage roles have included Dr Egbunike in Scars That Mar by Nnamdi Ndu, Forest Head in A Dance of the Forests by Wole Soyinka, Chief Erekosima in Hangmen Also Die by Esiaba Irobi and Iyase in The Slave Wife by Sam Ukala among others. He has directed Maama by Kwesi Kay and Childe Internationale by Wole Soyinka. His play A Tasty Taboo received its world premiere in April 1990. He has also worked as Associate Producer in Good Friends and as Script Developer/Co-Screenwriter in Echoes of War – both Obi Emelonye films.

In 2002 Azuonye founded Sentinel Poetry Movement – The International Community of Writers and Artists (www.sentinelpoetry.org.uk). He currently serves as editor of the two magazines published by Sentinel Poetry Movement namely; Sentinel Poetry (Online) – The International Magazine of Poetry and Graphics, and Sentinel Literary Quarterly.

Author of Letter to God and other Poems (2003. Nsibidi Africana Publishers. USA) and The Bridge Selection: Poems for the Road (2005. Eastern Light. UK) Azuonye’s poetry, fiction, interviews and essays have appeared in several international magazines including, African Writing, DrumVoices Revue, Eclectica, Flair, Orbis, Keystone, Poetry Monthly, The Muse Apprentice Guild, World Haiku Review, Poet’s Letter, Mindfire Renew, Sketchbook, Theatre Forum and Agenda. His work can also be seen in the print anthologies; Voices Against Racism: 100 Poems Against Racism (1998, VORA. UK), and For The Love of God (2004, Beaumont. Singapore.), as well as in the online anthologies Poesie du Monde (www.poesiedumonde.com), and Other Voices International Project (www.othervoicespoetry.org).

Azuonye lives in London with his wife Thelma Nwamamaka and son Arinze Chinedum.

Website: www.nnoromazuonye.com

Blog: www.nnoromazuonye.co.uk

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Nnorom Azuonye's Poetic Works

Postcards from London

1

At flight time, even choice had wings;
to stand still at life’s gate in Kaduna,
until felled, perhaps, by a Jihadist’s sword,
to walk the world to night, feed the humour
of ex-friends maddened by defunct dreams,
or fly - fly quickly to Great Britain...
but Great Britain is a merciless quicksand
that swallows decades of lives in a flash.

During honeymoon, the yet optimistic
hang around Trafalgar Square – carefree
idiots with double X wide smile syndrome
posing for photographs near Nelson’s Column,
where pigeons fed-up with loveless tourists
dart past at hair level like war planes
and shoot movements from angry anuses
until the grinning lot become a bunch of shitheads.

2

Baby, this London sojourn has more twists in it
than those braids that robbed you of seven hours
on the eve of my departure into the ‘dream’ life.
Today, I am drinking cappuccino in an Internet café,
Dying to create for you, a picture of the road I walk,
brushing over scores of potholes of despair
as I gasp, show me the life in the dream.

London life is mostly snake life. No brotherhood.
This city is a violated legend on crutches,
and this has nothing to do with rats in the tube
or fifteen-year-old gangsters prowling streets,
panthers on crack seeking ‘a life for respec’;
striking and avenging, cycle of bloodletting cycling on,
and on…in a land with talent for wasting lives.

As you know I did not come here to snap pigeons,
or attempt suicide by nasty Autumn breezes
that have found their way up my trousers.
Baby, I miss you. I miss you more now I realise
I don’t know exactly why I came here,
constipating my stormy thirties down gullets
of English water closets, searching London’s grumpy
old eyes for twinkles to misunderstood as promise.

I head butt and scream at a brick wall,
show me the life in the dream.


3

Give this message to yourself
good thing you know I am well and free
no need to say I’ve gone searching for gold in Timbuktu
more like Pounds in the City of London.
You may blame me for keeping you guessing
for keeping you hanging on for a decade
I wouldn’t have if I did not think it would be alright
but now you must move on, go on, to somebody new.
I must stay back and fight till I have victory.
Whatever victory I claim in the end, I still lose.

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Copyrights @ Nnorom Azuonye 08

Nnorom Azuonye's Poetic Works

Express Goodbyes

Seven years ago, after a nightmare weekend
spent recanting vows, undreaming dreams,
two dancers - tired of dancing, wary
of the heat of one another's breath,
we said goodbye at St Pancras.

I'd never felt so relieved, yet so sad
to see a train grumble away into the night
a one-time ‘everything’ in its coach,
her Valentino fading by the minute
like the heat of the sun at dusk.

Today I spot her on a Stratford platform,
fully refurbished, as elegant as ever,
eyes shining like a headhunter's torch,
and tongue slicing at corners of her mouth
like flame from the mouth of a dragon.

I rise with laughter in my heart, drifting
towards the pull of her crystals, wild embers
frisking my body and my spirit for hints
of emotional violence, or resentment.
She reaps only pleasure and a warm hug.

It takes just ten minutes to download updates
that mutual friend gossip had not spilled, before
she walks away with the dreadlocked bloke
she loves now, until another seven years,
perhaps, at another London train station.

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Outcasts

Slave to poison,
proud owners of death wishes,
together with their coiling clouds
stink, and make pride of stinking.

They have been decreed out –
like lepers of old - to sidewalks.
Kicked out from the insides
of all the nice places in England.

They have been thrown out
as all burning rubbish bins must
out of all the fine places
decent folks with healthy airs play.

You see them everywhere
shivering like rain-beaten birds
outside office blocks and outside pubs.
They curse the suits of Westminster.

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Copyrights @ Nnorom Azuonye 08

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