Rebecca Atherton

Poet in Residence at 5th London Poetry Festival 2009

As Deputy Editor Rebecca Atherton has written for both the print and online Magazine of Poets' Letter

 The editor of a literary arts magazine Rebecca spends her life surrounded by words. When she isn’t sourcing contributors, approaching collaborators, submitting funding proposals, proofing and editing copy, agonising over layout, or working on an article, she is hard at work on her third novel or penning a poem. Writing is her life, a pen and leather notebook, or battered, key-worn laptop her favourite tools.  

Formerly a web designer, Rebecca redirected her creative focus in 2002 to pursue a career with more traditional roots. Exchanging her day job and the security of PAYE for something far less sure, she embraced solitude and poverty in a bid to follow her heart. Since then she has been deputy editor of two magazines (CityLife & Poets' Letter), contributed editorial services to many others, written two and a half novels, numerous short stories and over a hundred poems, thinking of little else throughout but writing and the literary world. A little over two years ago she founded Inside Out, a literary arts magazine promoting creativity for self-development and emotional well-being.  

Her books centre around animals and their antics, with her protagonists tending to be of the four-legged variety – due, she says, to her love of the small and the fury. Her poetry, on the other hand, is mainly autobiographical, providing her with a healthy balance between fantasy and reality and keeping her firmly grounded.  

When she isn’t engrossed in the enormous task of putting together a magazine, or busy working out the finer details of her latest plot, she can be found surrounded by several tubes of acrylic, a paintbrush in hand, or lost deep within the pages of a fellow author’s book.  

Her work has been published in magazines, anthologies and online.

http://www.myinsideout.co.uk

How I Came to Poetry and Why I Write Poetry (500 words)

Not so long ago I was in a pretty bad place emotionally, suffering from depression and anxiety. I couldn’t read. I couldn’t write. I couldn’t even listen to the radio. Naturally creative, I felt like I had been imprisoned inside my own head.  

I can’t remember exactly when, but I woke up one morning and realised that I was stuck in this negative cycle and had been for a while. Determined to break out of it before it became “the story of my life”, I began to see a therapist. Understanding the background to my condition and having someone to talk to helped, but I was still a long way from where I needed to be and growing impatient.  

Having researched the creative therapies in the past and been intrigued by them, and having always shared a deep affiliation with poetry, finding comfort and companionship from an early age within the words of a diverse range of poets, I decided to set myself a writing project and actively pursue the process of poetry therapy.  

Although initially hindered by depleted self-confidence and lack of drive, with perseverance I confronted each new obstacle and fought my way through. Trusting myself and writing without editing were the key to this process. Only by really listening to myself and documenting what I had to say without judgement, could I hear what needed to be expressed and honour it. Gradually, I exited the dark box I had been inhabiting and climbed the long ladder back to life. In the end, this vehicle for a metaphorical step back became all I needed to locate those first tentative steps on the road to self-knowledge, self-acceptance and self-love.   

Reading poetry and writing it in this way has transformed my life. I have learnt that in order for me to remain both emotionally and physically healthy, I have to make a conscious effort to regularly document how I feel.  

For me, writing poetry serves multiple purposes. In the moment of crisis it provides comfort and catharsis. Later, rereading reveals a greater perspective, leading to understanding, acceptance and recovery. One poem becomes another and another until the problem is resolved, or at least exorcised to the extent that I can return to my life. Ultimately, I find it comforting to know that I possess the strength inside to overcome the darkness that descends. Remembering this in times of trial saves me from returning to that dark cell.

Happy Families

Mother abruptly spits me out,
Terminating my casual play.
Running to you with a bleeding navel,
I beg that you make it stop.

Examining the wound,
You discover a baby crab.
Sewn into the tidy flesh at the centre,
You cannot persuade him out.

Later, at dinner,
You present me with a gift –
An orange globe to celebrate my birth.
Opening it, I discover a plastic kitchen and wind-up mouse.

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Detrimental, Consequences Attached

I owe God several hundred thousand Hail Mary’s
For the thoughts inside my head.
Caught between opposing poles of emotion –
Lust and guilt, love and hate –
I wriggle, uncomfortable in an outfit that no longer fits.

Pandora’s bloody box –
That thing should come with a warning:
‘Detrimental, consequences attached.’
Before I woke it with my words,
It was nothing more than an illusory seed,
A sweet contemplation to ease the tension that inevitably builds up.

Now, it is a child vying for attention,
And although I try,
I cannot succeed in my endeavours to send it back.
In hindsight, I should have aborted the damn thing before it could even kick.
It wouldn’t then be alive in the world, aspiring to grow up.

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Minutes from the Womb

Where does it come from, that need to connect?
More powerful than anger, happiness, love, hate,
I am possessed, travelling into you with no way back.

I long to reach out and touch you –
The gentle graze of a fingertip, casual brush of a cheek;
Lay my head against your chest and memorise the frantic beat of your heart;
Trace a path along your spine and taste the dry salt of your skin.

Like a newborn baby, minutes from the womb,
I have never felt more alive.

 

To read more of Rebecca's writing please visit her page on Poets' Letter

Copyrights @ Rebecca Atherton

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Cracks

Something must have visited me as I slept,
Slamming balled fists
Into the gentle rise and fall of my chest;
For awake, I cannot move,
And everything hurts.

A warm bottle hugs me tight,
Filling in for the empty embrace of pills.
Rocking it, I conjure up a child,
Rewinding the circle of grief,
Turning the emptiness inside out.

Reluctant to break the spell,
I look to the wall and count cracks,
Searching for answers to questions about myself.
You watch me in black and white,
Sad, because there is nothing you can do.

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Car Park

Concrete shelves carve up the air,
Casting horizontal shadows across the street.
Advertising the spaces in their garish smiles,
They welcome interested parties into line
Exchanging rectangles until they run out.

Abandoned cars wait out the day –
Devout as dogs.
Strangely vacant,
They stare each other out,
Working a silent grudge.

Likewise, my body rests within starched sheets,
Refusing the efforts of the Frog Prince.
Secretly inhabited, it exists on a diet of memory and thought,
And the promise of a small dot
That will expand in impetus and size as the glue sets.

Only then will my spider limbs grip responsibility of the wheel,
Killing autopilot
As they navigate the tunnel of dancing light
Towards the anxious eyes
Crowding the circumference of the sterile room
 

To read more of Rebecca's writing please visit her page on Poets' Letter

Copyrights @ Rebecca Atherton

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